Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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kulturen
redan vid medeltidens slut hade orglar funnits i kyrkorna men forst pa 1600 ta let blev de mera allmant gangse

ID: 58776

kulturen redan vid medeltidens slut hade orglar funnits i kyrkorna men forst pa 1600 ta let blev de mera allmant gangse
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kulturen redan vid medeltidens slut hade orglar funnits i kyrkorna men forst pa 1600 ta let blev de mera allmant gangse


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kulturen

ivar johnssons byst av georg karlin, karv i uppsyn som originalet., bares upp au en tung granitplatta med orden forntid framtid. det var det motto karlin helt i nutidsanda satt for sitt museum samlingarna sklle lara om det forgangna inspirera till det kommande.  Related Paintings of kulturen :. | skoter balgen med ett rep | karl xii | altaruppsats fran kyrkan i rang i rang skane | len | hoststamning tv |
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Francesco Zugno
Francesco Zugno (c. 1708-1787) was an Italian painter of the Rococo period. He was born in Brescia. Among his masterworks is a series of wall frescoes of figures in quadratura balconiesepart genre, part courtly conceit. He was strongly influenced by Giovanni Battista Tiepolo and his works.
MASTER of the Life of the Virgin
German Northern Renaissance Painter, active 1460-1480
Rudolf von Alt
(28 August 1812 in Vienna C 12 March 1905 in Vienna) was an Austrian landscape and architectural painter. Borne as Rudolf Alt, he could call himself von Alt and bear the title of a Ritter (knight) after he gained nobility in 1882. He was the son of the famous lithographer Jakob Alt (1789-1872). He studied at the Akademie der bildenden K??nste in Vienna. Hiking-trips through the Austrian Alps and northern Italy awoke a love for landscapes, and he painted with his brush using watercolors in a very realistic and detailed style. In 1833, inspired by a visit to Venice and neighbouring cities, he also made a number of architectural paintings. Alt demonstrated a remarkable talent for expressing certain peculiarities in nature. He managed to paint nature authentically by focusing on the different hues of sky, the colour-tone of the air and the vegetation. His later works came closer to Impressionism. His perspectives on architecture were interesting, and he often chose everyday objects to paint. The painting of interior-views also became one of his strong points, giving him attention in Vienna.






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